Low in the grave He lay…

“You are looking for Jesus the Nazarene, who was crucified. He has risen! He is not here. See the place where they laid Him.” Mark 16:6

Low in the grave He lay, Jesus my Savior,
Waiting the coming day, Jesus my Lord!

Refrain

Up from the grave He arose,
With a mighty triumph o’er His foes,
He arose a Victor from the dark domain,
And He lives forever, with His saints to reign.
He arose! He arose!
Hallelujah! Christ arose!

Vainly they watch His bed, Jesus my Savior;
Vainly they seal the dead, Jesus my Lord!

Refrain

Death cannot keep its Prey, Jesus my Savior;
He tore the bars away, Jesus my Lord!

Refrain

Christ the Lord is Risen Today!

Christ, the Lord, is risen today, Alleluia!
Sons of men and angels say, Alleluia!
Raise your joys and triumphs high, Alleluia!
Sing, ye heavens, and earth, reply, Alleluia!

Love’s redeeming work is done, Alleluia!
Fought the fight, the battle won, Alleluia!
Lo! the Sun’s eclipse is over, Alleluia!
Lo! He sets in blood no more, Alleluia!

Vain the stone, the watch, the seal, Alleluia!
Christ hath burst the gates of hell, Alleluia!
Death in vain forbids His rise, Alleluia!
Christ hath opened paradise, Alleluia!

Lives again our glorious King, Alleluia!
Where, O death, is now thy sting? Alleluia!
Once He died our souls to save, Alleluia!
Where thy victory, O grave? Alleluia!

Soar we now where Christ hath led, Alleluia!
Following our exalted Head, Alleluia!
Made like Him, like Him we rise, Alleluia!
Ours the cross, the grave, the skies, Alleluia!

Altdorfer’s Crucifixion

Albrecht Altdorfer

born c. 1480
died Feb. 12, 1538, Regensburg [Germany]

German painter, printmaker, and draftsman who was one of the founders of landscape painting.

Altdorfer spent most of his life in Regensburg, becoming a citizen in 1505 and in later years serving as official architect of the city and a member of its inner council. He was the guiding spirit of the Danube school of painting. His early figure paintings show a growing preoccupation with landscape, until in “St. George and the Dragon” (1510) the knight is practically overwhelmed by the primeval forest in which he performs his feat. With the “Regensburg Landscape” (c. 1522–25) and other works, Altdorfer painted the first pure landscapes—i.e., landscape scenes containing no human figures whatsoever—since antiquity. His favourite subject was the leafy and impenetrable forests of Germany and Austria. He was also among the first to depict sunset lighting and picturesque ruins in twilight. Several of his altar panels in the Church of St. Florian near Linz, completed in 1518, depicting the Passion of Christ and the martyrdom of St. Sebastian, are night scenes in which he exploited the possibilities of torch light, star light, or twilight with unusual brilliance. Altdorfer’s masterpiece, the “Battle of Alexander at Issus” (1529; Alte Pinakothek, Munich), is both a battle scene of incredible detail and a highly dramatic and expressive landscape.

The fantastic element that pervaded Altdorfer’s paintings was also prominent in his drawings, most of which were donein black with white highlights on brown or blue-gray paper. His engravings and woodcuts, usually miniatures, are distinguished by their playful inventiveness. Late in his career he used the new medium of etching to produce a series of landscapes.

Master & Commander: The Far Side of the World

Ladies & gentlemen, fully legal and fully free, I present the first installment of SGRWebster’s Wednesday film festival.

Yes, that’s right, each Wednesday I’ll be posting a free movie IN ITS ENTIRETY right here on the blog.

So, pop up some p-corn, put your feet up and let those 1/2 inch computer speakers take you away!

Having just read about this on Shane Bertou’s blog, I then went to hulu.comto see if it was legitimate.

It is!

Enjoy!

Next week: The Three Amigos